Uirá is a Brazilian indigenous man who will undergo a journey that address the greed and exploitation caused by money, coming in collision with the transformed legends that bring back the rites of his ancestry.

VR Colored is an immersive mixed-reality installation adapted from a biographical essay written by Tania de Montaigne. It’s the story of Claudette Colvin, a 15-year-old Black girl who, in Alabama in the 1950s, refused to give up her seat on a bus to a white woman. A Rosa Parks ante litteram whose revolutionary gesture did not receive the same public recognition as that of her elder a few months later, condemning her to oblivion. At 83 years old, Claudette still lives in New York. Published sixty years after the fact, this biography, winner of the 2015 Simone Veil Prize, plunges us into a moment in American civil rights history that keeps resurfacing in our time. The feeling that to be Black is to be an inferior race, especially for a woman.

A story about three friends—a red, yellow, and blue colored pencil—and a quarrelsome black pencil stub whose mischief causes frustration for the others.

A group of diversity training consultants uses unconventional methods and off-color humor to rid the world of “-isms,“ one clueless workplace at a time.

Three Los Angeles addicts find themselves in something of a pickle when one of them, mistakenly, swallows all of their drugs; setting off a race against time to recover the drugs before they become desperately dope sick.

Film about the Ashio Copper Mine Incident and Shozo Tanaka.

Canterlot high will be hosting a competition between schools, and Vice Principal Luna needs a new banner design for the occasion. She tasks three students to design it: Flash Sentry (a musician), Micro Chips (a science nerd), and Sandalwood (a New Age-style artist)

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A soldier in their final moments.

Ten satirical sketches written by George C. Wolfe use drama, comedy and music to examine black stereotypes and express the need for African-Americans to preserve their culture by remembering their painful but glorious heritage. Presented as museum "exhibitions," the songs and sketches address the problem of having to renounce one's history and suppress anger in order to assimilate.